Horde at The Netherlands Media Art Institute

November 15th, 2008

Speaking Out Loud
15-11-2008 until 17-01-2009
Opening 14 November 5:00 p.m

The Dutch version of Horde will be part of the “Speaking Out Loud” exhibition.

Netherlands Media Art Institute
Keizersgracht 264
1016 EV Amsterdam
T 020 6237101
F 020 6244423

Speaking Out Loud centers on the processes of both “thinking out loud” and “speaking out.” Thinking out loud describes the associative, dynamic and rather uncontrolled process of simultaneously thinking and speaking about a particular topic. We think out loud to make a suggestion, to put forward an idea or a thought rather than to make a claim. Speaking Out Loud advocates this free and creative process of thinking out loud through artworks that enable a playful and surprising experience of language. This happens in the form of what could be summarised as experimental language exercises or canny transformations and alternations of language.

Meanwhile the act of speaking out demonstrates resistance and the existence of alternative concepts and views. As a democratic act it constitutes a cornerstone of democratic society. In that sense, the exhibition promotes the idea of controversy, dissent and debate as a relevant society shaping strategy. In the light of representative democracies, low voter participation and increasingly levelled concepts of life, Speaking Out Loud attempts to call for taking an active role in the debate. Moreover it explores the subversive power of spoken or written text but also unmasks the inflationary and culturally connoted use of words and phrases.

The artworks in the exhibition deal with the act of speaking, reading and writing. They particularly reflect on and emphasise the performative qualities of language and thus reveal the strong and inseparable connection between words’ meaning and their performance / performer. Renowned novelist Paul Auster captured the act of speaking as “When words come out, fly into the air, live for a moment, and die. Strange, is it not?” It is this fluidity and dynamics of language and its meaning that the exhibition centers on, observes and reflects.

In this fluid state, words fly and dance, thus enabling a mental dialogue between the artwork and its viewer/listener, and opening up to continuous interpretation. The exhibition mainly presents works of Dutch and English language. Thereby it also reflects on a world in which vast distances are bridged with relative facility but where language remains a system of cultural “multivalence”.

List of works:

Insults and Praises by Tim Etchells (UK) and Vlatka Horvat (CRO)
A New and Exciting Experience by Mukul Patel (UK) and Manu Luksch (AT)
Good and Evil by Charles Sandison (UK)
Interpreters by Christoph Keller (DE)
Time Based Text by Jaromil (IT) and Jodi (NL)
Gate peepin’ and Misspelling Generator by Linda Hilfling (DEN)
Horde by KH Jeron (DE)
A Speech Organ by Tudor Bratu (RO) and Istvan Ist Huzjan (SLO)
Text and Semiotic Collider by Michael Hopfel (DE)
Gelsomina by Trikoton (DE)
Explicit Content Only by Evan Roth (US)

Intervention at the opening by Omer Krieger (IL) and performance at the opening by Bas Boettcher (DE).

Curator: Susanne Jaschko

Kindly supported by the Goethe Institute Amsterdam, BeamSystems and Jacot Audiovisueel

Public White Cube at SF MoMA

November 6th, 2008

8 Nov 2008 - 8 Feb 2009

"Toward Participation in Art: 1950s to Now"

San Francisco Museum of Modern Art
151 Third Street (between Mission and Howard Streets)
San Francisco, CA 94103
Telephone: 415.357.4000
Fax: 415.357.4037

On view at the San Francisco Museum of Modern Art (SFMOMA) from November 8, 2008, through February 8, 2009, The Art of Participation: 1950 to Now presents an overview of the rich and varied history of participatory art practice during the past six decades, exploring strategies and situations in which the public has taken a collaborative role in the art-making process.

1st Public White Cube (2001/2008), by Joachim Blank, Gerrit Gohlke and Karl Heinz Jeron, takes place both online and on-site in a series of eBay auctions. Participants will bid not for ownership of the works on display (created by guest artists selected by Joachim Blank, Gerrit Gohlke and Karl Heinz Jeron), but for the right to alter and reinstall them according to their own proposal.

sfmoma press release

The Art of Participation at SFMOMA

More information at http://publicwhitecube.com

That was lucky!

November 1st, 2008

Opening: 1 November 2008, 15 - 17h

Amongst others my proposal “Sie haben Glück gehabt! Dieses Plakat macht Ihnen nichts vor.” has been chosen at the competition: ‘That was lucky!’ - Art in the underground hosted by NGBK

“‘That was lucky!’ Such a statement of relief is not always free of contradiction and ambiguity. This phrase can be applied to everyday and indeed global events from which we escape more or less consciously, or indeed simply by accident. The phrase also applies to the situation of art in Berlin’s underground which will now be continued at different venues.
We are looking for artistic concepts that reflect these contextual links from a wide range of perspectives. One concept for one area behind the rails can be submitted. The projects, selected by a jury, will be hung and pre-sented in a parallel fashion at three venues for several months, until about June/July 2009.”
(Quote from open call for proposals)

The results of the open artistic competition, in which 198 international artists took part, will be shown from November 2008 to mid-2009 at three underground stations in parallel:

U8: Voltastraße, Bernauer Straße and Weinmeisterstraße.

Artists:
Julia Baier, Martina Becker, BEWEGUNG NURR and Florian Göpfert, Roland Boden, Heike Bollig, Susanne Britz, Dante Busquets, Martin Conrads/Anna Mándoki, Ilse Deberle, Jean-Ulrick Désert, Manfred Eichhorn, Moritz Frei, Rolf Giegold, Alexandra Gneissl, Adrian Göllner, Sebastian Gräfe, Massoud Graf-Hachempour, Caroline von Grone, Irène Hug, Karen Irmer, Karl Heinz Jeron, Lilo Cornelia Karsten, Katja Klein, Kirsten Klöckner, Carsten Kummer, Victor López, Eva-Christina Meier, Connie Mendoza, Claudia Mucha, Barbara Müller, Leo de Munk, Piotr Nathan, Hester Oerlemans, Felix Pestemer, Heiko Pfreundt, Nik Pitton, Ingrid Schütz, Christian Sievers , Hein Spellmann, Bernd Trasberger, URBAN PLANT RESEARCH, Sylvia Winkler/Stephan Köperl, Gloria Zein
A Project by NGBK, financed by Senatskanzlei – Kulturelle Angelegenheiten Kunst im Stadtraum, Berlin, and supported by Berliner Verkehrsbetriebe (BVG) and Wall AG.

Spazieren gehen in Kreuzkölln

November 1st, 2008

My Kreuzkölln Audioguide is available at allgirls gallery

Eröffnung Samstag 29. November 2008 von 19 – 21 Uhr

Bettina Allamoda, Dave Allen, Nikolaus Berendonk, Sarah Braun, Sandra Contreras, Angélica Chio, Mathias Deutsch, Alex Dorfsman, Iván Edeza, Dorotea Etzler, Jutta Geier, Ulrich Heinke, Thaddäus Hüppi, Karl Heinz Jeron, Kaltwasser & Köbberling, Keiko Kimoto, Jürgen Kisch, Uta Kollmann, Christine Kriegerowski, Astrid Küver, Mina Mrkwiczka, Sophia Mrkwiczka, Rolf Pilarsky, Anja Ross, Henry F. Ryan, Gabriel Santillan, Kathrin Schädlich, Gabi Schaffner, Stadtbienenhonig, Martin Städeli, Betty Stürmer, Stefan Thiel, Aoife Van Linden Tol, Florian Zeyfang

Ausstellung: 29. November – 21. Dezember 2008
Mi – Do 15 – 18, Fr – Sa 17 – 20 Uhr

Samstag 21. Dezember 08, 17 Uhr: Gabi Schaffner liest.

A la recherche du temps perdu @ Miklova galerija

October 16th, 2008

A la recherche du temps perdu @ YOU OWN ME NOW UNTIL YOU FORGET ABOUT ME.

OPENING RECEPTION: 16 October 2008, 7 pm
EXHIBITION DURATION: 17 October - 10 November 2008
HOSTING INSTITUTION: Galerija Miklova hisa, http://www.miklovahisa.si
LOCATION: Skrabcev trg 21, 1310 Ribnica, Slovenia
WEBSITE: http://www.youownmenow.net
CURATORS: Birgit Rinagl, Franz Thalmair/CONT3XT.NET

A la recherche du temps perdu
Performance mit / with Valie Djordjevic

In the homonymous performance Marcel Proust’s novel “À la recherche du temps perdu” is first coded into zeros and ones and then decoded back into human language — processed from the analogue to the digital and back again. The zeros and ones are read by two persons alternately, interpreted by a third representing a CPU (Central Processing Unit) and stuck onto the wall panel by a fourth as Display. The performers play computer with the ASCII-version of this originally literary text.
continue reading

Working at Fluxmuseum Fort Worth Texas

September 10th, 2008

FLUXMUSEUM
ATTN: FLUXHIBITION #2
6955 PINON STREET
FORT WORTH TEXAS 76116
817-944-4000

Title: Sim Gishel
Date: 2008
Artist: KarlHeinz Jeron

Description: Robotic vehicle works for minimum wage. The vehicle equipped with a ballpen and is able to draw random drawings. Visitors of the museum can let the robot draw for them. They have to bring a piece of paper and pay the minimumwage per hour. They vehicle’s movements are random. Therefore the visitors have to monitor the vehicle whilst working and take care that it does not leave the paper.
Every evening somebody of the staff of the museum has to recharge the batteries.
The generated income will be shared equally between the artist and the museum.

In Texas is $6.55 federal minimum wage used as reference. There are no actual amounts written in law.

http://9-5.jeron.org/category/sim-gishel

Will Work For Food at Gallery Aferro

September 9th, 2008

Gallery Aferro 73 Market St Newark NJ 07102 www.aferro.org

Outside Over There
Fourth Annual
In the Country of Last Things exhibition
Curated by Emma Wilcox
September 27 - November 22, 2008
Opening Reception September 27, 7-10 PM

Will Work for Food
Bring a can of food to barter with the robots from September 27 - November 22, 2008,
Barter starts at 7 PM at the opening
All proceeds to be donated to Newark food banks


Will Work for Food is a project by KH Jeron about labour and barter economy.

Small robotic vehicles trade their manpower for food. The vehicles can draw and whistle popular songs.

Interactions with the robots throughout Europe have taken various forms: small offerings of packaged sweets, regional specialties, homemade foods, and even full dinners.  In Newark, Gallery Aferro and KH Jeron will have the robots perform in the gallery as a food drive to question the collective responsibility of a city’s residents towards each other. According to Jeron, Will Work for Food deals with “a re-assessment of labour: its disjunction from covering the cost-of-living of the individual.They give an occasion and a space for social interaction and discussion.”

Artists:
Keliy Anderson-Staley, Mireille Astore, Martin John Callanan, Karlos Carcamo, Margarida Correia, Susan E. Evans, Judith Hoffman, KH Jeron, Tamara Kostianovsky, Charles Huntley Nelson Anne Percoco,Dorothy Schultz, Jeff Sims, Peter Tuomey Jr, Tammy Jo Wilson

Virtual Chef

September 6th, 2008

www.virtual-chef.net

Public cooking session at:
Caravansarai
meeting point and project space in Istanbul
http://www.observer-in-residence.net/virtual-chef-galata/

Date:
Saturday, October 18, 2008
Time:
7:00pm - 10:00pm
Location:
Güney Restorant, Galata Tower Square / Güney Restorant, Galata Kulesi Meydanı
Street:
Şahkapı Sok. 28 Kuledibi
City/Town:
Istanbul, Turkey

I will cook one of my Will Work For Food favourites. The cooking will be transmitted from Berlin to Istanbul via Skype.

18 Oct 2008 9pm GMT

Virtual Chef - Galata

Saturday October 18th, 2008

Günay Resteraunt, Galata Tower Square, Istanbul, Turkey

19:00 (21:00 GMT)


We will be connected to Karl Heinz Jeron in Berlin, Germany,

who will instruct us how to make his special version of Falafel.


The project began by making a connection with Karl, who sent us a list of ingredients to collect for the meal.


We then start our research.

- Where can we find these ingredients in Galata?

- How does the culinary traditions of another region affect the tastes of Turkish ingredients?


As we source the ingredients, we gather information, meet people, explore new parts of our surroundings.


On the night of the dinner, as part of the Visibility Project - 4 in Galata, we are connected live to our ‘virtual’ chef with sound and video.

He takes us step by step through the cooking of the meal, sharing memories or other stories associated with the food being cooked.


When the food is finished, we eat together.

Continue Reading »

Residency at Meantime in Cheltenham UK

August 1st, 2008

31st July - 15th August 2008

“Karl-Heinz Jeron arrived from Berlin for a two-week residency at MEANTIME.
Following his ‘Will Work for Food’ project, KH conceived
9-5, a robotic vehicle that works for the minimum wage, making visual the immaterial labour of a working day in an office. The robot was installed in a  marketing company’s offices, and spent its time transmitting wireless data traffic to a sharp point, which scratched a painted surface - in this case the colours of the company’s livery: “It’s all about service”, Karl Heinz stressed. Further information at  http://9-5.jeron.org/

Many thanks to Tangible Response, Cheltenham.”

MEANTIME

Oxford Passage
off St Margaret’s Road

Cheltenham GL50 4EF

Was ist das Wert / What Does Value Mean

June 21st, 2008

Will Work For Food

wert

„Was ist das WERT“ Festspielhaus Hellerau
Karl-Liebknecht-Straße 56 • D-01109 Dresden
The Wert/Value perfomance reenacts Karl Marx’s contribution (VALUE, PRICE AND PROFIT) to a discussion on trade union activity that took place at a meeting of the General Council of the International Working Men’s Association in April, 1865.

While baking fortune cookies and reading chapter VI (Value and Labour) of “Value, Price and Profit”, one of my vehicles is drawing and whistling the Internationale. The cookies are filled with snippets of the drawings.


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