Will Work For Food at Lab30
October 30th, 2009
willworkforfood.projektraum.org
http://www.lab30.de
lab30 – 8th Augsburg Media Art Laboratory (Nov 5th-Nov 7th, 2009)
Test arrangements in an Electro-Biotope
lab30, Augsburg’s Media Arts Festival, is going to take place this year for the 8th time. From November 5th to November 7th, Kulturhaus abraxas in Augsburg will be transformed into an international arts laboratory for media and installation artists, for sound, electronics, technicians and digitals artists who make up the offspring of the European arts academy scene. This festival of electronic arts has found its level within the relevant festival landscape, moving on from being an insider’s tip to becoming a constant in the yearly agenda of visitors and artists who travel the scene.
WIR MÜSSEN REDEN
September 19th, 2009

Festival ICH-MASCHINE / I-MACHINE
April 30th, 2009
Roboter - Performance - Fashion - Film 9 to 17 May 2009 Projects at the Edith Russ Site for Media Art Exhibition: Part 1 Robots - Animated technology in art 9 - 17 May Artist talks: Saturday, 9 May, 4 p.m.-7 p.m. They move, they communicate and they react to us. There is no telling what they will do. They seem to be alive. Under the auspices of the I-Machine Festival, a horde of robotic beings, designed by various media artists, will populate the Edith Russ Site for Media Art. While the exhibition is showing, art robots and robotic installations, visitors will learn how to make mini-robots themselves at workshops. The Festival will open with a robotics art performance. Artists: Frank Fietzek, Paul Granjon, KH Jeron, Ralf Schreiber More info and the complete programm under www.edith-russ-haus.de. Edith-Ruß-Haus für Medienkunst Katharinenstraße 23 D-26121 Oldenburg fon: +49 (0)441 - 235 32 08 fax: +49 (0)441 - 235 21 61 info@edith-russ-haus.de www.edith-russ-haus.de
Pilotprojekt Gropiusstadt
March 8th, 2009
From 9 March to 15 March 2009 I will be resident artist in Gropiusstadt
International Artists-in-Residence Program
Since 2002 artists can be invited to participate in the „Pilotprojekt Gropiusstadt“ to create ideas for temporary interventions in the public space of Gropiusstadt, Berlin. The artists develop their ideas during a stay in the area: the GEHAG householding company provides an apartment which is located in Gropiusstadt. The works done by the artists try to intervene in or interfere with normal daily life in Gropiusstadt, they can be kinds of actions which involve the inhabitants or just small interventions in the environment.
Gropiusstadt
Gropiusstadt, a satellite town situated on the outskirts of Berlin, was built in the 1960’s and 1970’s. Its most prominent feature is its 10 to 25 storied building-development. The original plans from Walter Gropius were reworked later by others to house more people. Its current population is approximately 37,000.
The artists flat
The apartment where the artists live is located on the 8th floor of a 24-story apartment-block. It provides a huge live- and working room as well as a bedroom, kitchen and bathroom. All rooms are furnished functionally and can adequately house an artist staying from one (to create an idea) to four weeks (to realize a project). Situated at the border of the area the flat offers a view over the rural landscape in the south as well as over the surrounding skyscrapers of Gropiusstadt. Most of the artists are inspired by this view as well as by the impressions of daily life in Gropiusstadt and create ideas for artistic approaches. In contrast to other residence programs artists of the Pilotprojekt Gropiusstadt are not forced to realize a project: they can simply use the opportunity to escape their regular hum-drumlives and tank new energy, or concentrating on photographic, literary or journalistic work, or by using the time for reflection.
Sim Gishel at Temporary Art Show
February 18th, 2009

Temporary Art Show opening: Friday 6th March 2009, 5-8pm
Temporary Art Space, Units 34-35, The Piece Hall, Halifax, HX1 1RE, UK
Temporary Art Show is the inaugural exhibition at Temporary Art Space in Halifax, following on from the hugely successful exhibition of the same name in neighbouring Huddersfield. Fifteen artists will exhibit painting, drawing, print, video, sculpture and installation works, responding to the broad theme of “temporary.” http://temporaryartspace.co.uk/TAS2.html
Temporary Art Show runs until Friday 27th March 2009.
Opening times: Friday-Saturday 10am-4pm and Sunday 11am-4pm. Entry and participation is free.
Temporary Art Space is an independent, unfunded, artist-run project with a lifespan of six months, situated in the magnificent Grade 1 listed Piece Hall in Halifax and co-directed by Alice Bradshaw, Bob Milner, Tom Senior, Kevin Boniface & Georgia Boniface.
Location: Temporary Art Space is situated on the top floor of the Piece Hall by the South-East staircase and lifts. The Piece Hall is in the centre of Halifax.
By train/bus: The Piece Hall is 5 minutes walk from the Halifax train station, next to Square Chapel, and 5 minutes walk from Halifax bus station via the Woolshops.
By car: Take J26 off the M62 from Leeds and follow the A58 to Halifax or take J24 off the M62 from Manchester and follow the A629 to Halifax.
Parking: There is on street Pay & Display parking and there is also Pay & Display parking at Eureka! which is signposted in brown from the M62. The Piece Hall is 5 minutes walk from Eureka!
By plane: Halifax is less than an hour travel from both Leeds-Bradford International Airport and Manchester Airport.
Dinner Show 5
January 14th, 2009
Fr, 23. Januar 2009
Dinner Show 5
- Was: We will work 4 us Show/Ausstellung Wildprovider
- Wo: Dock18
- Wann: 20:00 Uhr
- Wie viel: 0 CHF

Die 5.Dinner Show im Restaurant zur Medienkultur der Welt steht unter dem Stern der Arbeit: * We will work 4 us / Wir arbeiten an uns!
Mit * Karl Heinz Jeron, Work for Food/Roboter * Elektronischer Fruchtsalat / Circuit Bending-Piano von Iris Rennert und andere Maschinen zum Anbeissen! * Meinrad Feuchter / Aufgewärmte News * Urs Dubacher / Pizza * Marc Lee / Breaking the News - Neue Begriffe * Kocherich / Kochen = (viel) Arbeit, Einblick in die Küche des Ziegel oh Lac / das Abendessen * Cola/Mentos Experiment (Wh.) / Der Kranzkuchen / Essverbote/tabus, Work4Food Powerpoint Präsentation, Arbeit macht frei / Was ist Arbeit heute/Unterhaltung / Werk/Original/Kopie / * Zwinglianische Arbeitsmoral vs. Do it yourself von Mario Purkathofer * Waskochen.ch / Best of * Markus Aeschlimann / Video * Irina Birger works & eat 3 hours during the show / Gunnhildur Hauskottdir / Arnold Reinthaler * Nicole Rothen von Atizo.com * FreeBeer / Club Mate * Michaelmusic, NN, NN, NN - Königin der Nacht Im Anschluss: Twitter Party mit Twitter Community Zürich, Bloggy Friday und Digitale Allmend Zürich. Anmeldungen über Facebook.com, Twitter.com (wildprovider) und Rotefabrik.ch/Dock18 (hier).
Entweder/Oder
December 9th, 2008
http://art.allgirls-berlin.org
Künstlerische Forschung als Wissensproduktion
Eine Ausstellung mit Publikumsbeteiligung

Eröffnung 10.Januar 19 bis 21 Uhr
Ausstellung 10.Januar bis 7.Februar 2009
Mi – Do 15 – 18, Fr – Sa 17 – 20 Uhr
allgirls
Brückenstraße 15a, 10179 Berlin-Mitte
U Heinrich-Heine-Straße, S Jannowitzbrücke
tel. 0160 98 25 91 53
www.allgirls-berlin.org
Vier Veranstaltungen (Teach-ins) bilden das Rückgrat der Ausstellung Entweder/Oder. Es geht um Entscheidungsfindung, logische Kalküle und Wahrscheinlichkeiten. Die Ergebnisse der Teach-ins werden in ein künstlerisches Darstellungsmodel übersetzt.
Themen und Termine der Teach-ins
1. Gästeliste - Das Ausschlussprinzip | Samstag 10. Januar von 15 bis 17 Uhr
2. Entweder/Oder - Wenn die Wahl zur Qual wird | Mittwoch 21. Januar von 17 bis 19 Uhr
3. Lügen - Zur Natur des Widerspruchs | Mittwoch 28. Januar von 17 bis 19 Uhr
4. Drei Türen - Schätzen und Wahrscheinlichkeiten | Mittwoch 4. Februar von 17 bis 19 Uhr
Um Anmeldung wird gebeten: mail[at]allgirls-berlin.org
Horde at The Netherlands Media Art Institute
November 15th, 2008
| Speaking Out Loud 15-11-2008 until 17-01-2009 Opening 14 November 5:00 p.m |
The Dutch version of Horde will be part of the “Speaking Out Loud” exhibition.
Netherlands Media Art Institute
Keizersgracht 264
1016 EV Amsterdam
T 020 6237101
F 020 6244423
Speaking Out Loud centers on the processes of both “thinking out loud” and “speaking out.” Thinking out loud describes the associative, dynamic and rather uncontrolled process of simultaneously thinking and speaking about a particular topic. We think out loud to make a suggestion, to put forward an idea or a thought rather than to make a claim. Speaking Out Loud advocates this free and creative process of thinking out loud through artworks that enable a playful and surprising experience of language. This happens in the form of what could be summarised as experimental language exercises or canny transformations and alternations of language.
Meanwhile the act of speaking out demonstrates resistance and the existence of alternative concepts and views. As a democratic act it constitutes a cornerstone of democratic society. In that sense, the exhibition promotes the idea of controversy, dissent and debate as a relevant society shaping strategy. In the light of representative democracies, low voter participation and increasingly levelled concepts of life, Speaking Out Loud attempts to call for taking an active role in the debate. Moreover it explores the subversive power of spoken or written text but also unmasks the inflationary and culturally connoted use of words and phrases.
The artworks in the exhibition deal with the act of speaking, reading and writing. They particularly reflect on and emphasise the performative qualities of language and thus reveal the strong and inseparable connection between words’ meaning and their performance / performer. Renowned novelist Paul Auster captured the act of speaking as “When words come out, fly into the air, live for a moment, and die. Strange, is it not?” It is this fluidity and dynamics of language and its meaning that the exhibition centers on, observes and reflects.
In this fluid state, words fly and dance, thus enabling a mental dialogue between the artwork and its viewer/listener, and opening up to continuous interpretation. The exhibition mainly presents works of Dutch and English language. Thereby it also reflects on a world in which vast distances are bridged with relative facility but where language remains a system of cultural “multivalence”.
List of works:
Insults and Praises by Tim Etchells (UK) and Vlatka Horvat (CRO)
A New and Exciting Experience by Mukul Patel (UK) and Manu Luksch (AT)
Good and Evil by Charles Sandison (UK)
Interpreters by Christoph Keller (DE)
Time Based Text by Jaromil (IT) and Jodi (NL)
Gate peepin’ and Misspelling Generator by Linda Hilfling (DEN)
Horde by KH Jeron (DE)
A Speech Organ by Tudor Bratu (RO) and Istvan Ist Huzjan (SLO)
Text and Semiotic Collider by Michael Hopfel (DE)
Gelsomina by Trikoton (DE)
Explicit Content Only by Evan Roth (US)
Intervention at the opening by Omer Krieger (IL) and performance at the opening by Bas Boettcher (DE).
Curator: Susanne Jaschko
Kindly supported by the Goethe Institute Amsterdam, BeamSystems and Jacot Audiovisueel
Public White Cube at SF MoMA
November 6th, 2008
8 Nov 2008 - 8 Feb 2009
"Toward Participation in Art: 1950s to Now" San Francisco Museum of Modern Art 151 Third Street (between Mission and Howard Streets) San Francisco, CA 94103 Telephone: 415.357.4000 Fax: 415.357.4037
On view at the San Francisco Museum of Modern Art (SFMOMA) from November 8, 2008, through February 8, 2009, The Art of Participation: 1950 to Now presents an overview of the rich and varied history of participatory art practice during the past six decades, exploring strategies and situations in which the public has taken a collaborative role in the art-making process.
1st Public White Cube (2001/2008), by Joachim Blank, Gerrit Gohlke and Karl Heinz Jeron, takes place both online and on-site in a series of eBay auctions. Participants will bid not for ownership of the works on display (created by guest artists selected by Joachim Blank, Gerrit Gohlke and Karl Heinz Jeron), but for the right to alter and reinstall them according to their own proposal.
The Art of Participation at SFMOMA
More information at http://publicwhitecube.com

